Gossip: Hero-Heroine Spent A Day In Guest House
This is the new gossip that is circling in Film Nagar. It is said that a hero and a heroine spent a full day at a guest house located in Sri Nagar Colony.
But what they did inside is not known but can be only imagined depending on the culture of everyone's brain. The gossip is so wild that it did spread within a few hours.
The proofs are not there but the talk is hot. The hero and heroine paired up for a recent film that is about to release. The heroine is known for her hot image and Yoga!
Buzz: SRK to act in Shankar’s next film?
Robo – the pet project of film director Shankar has been dormant for several years. The ace director always wanted to make a sci-fi film which he said would be a dream come true. Initially it was proposed to start the film with Kamal Haasan in the lead role but it did not take off due to various difficulties. The project was then shelved for a while, when Shankar started working on the mega blockbuster Sivaji with Rajnikanth.
Now that the film Sivaji was declared to be a super hit and Shankar high on success, the news is making rounds that he has picked up the Robo script again and the talk was that actor Ajith would be taken in the lead role.
However, according to close NRI sources, the director has approached with the story of Robo to none other than Shah Rukh Khan when they met recently and if the sources are to be believed the Badshah of Bollywood was impressed with the storyline of Robo and had given Shankar the nod.
‘Bahumathi’ Review: ‘OK’ For Families
Film: Bahumathi
Cast: Venu Sangeetha, Shabana Khan, Krishna Bhagwan, Sunil, Ali, Brahmanandam, Dharmavarapu etc
Art: JP
Editing: KV Krishna Reddy
Camera: Jawahar Reddy
Dialogues: Diamond Rathna Babu
Lyrics: Bhuvanachandra,Kaluva Krishna Sai
Producer: Venkat
Music-Screenplay-Story-Direction: SV Krishna Reddy
Release Date: 30th June 2007
Story:
Venkata Ramana (Venu) is a Police Inspector who believes in idealistic society. He stands on his word and never gets back his promise if made any. His aim is to remove woes of all orphans and give them good education. Bhanumathi (Sangeetha) is his wife who is money minded and
not at all interested in family life. She turns out to be a wild hard nut to crack for the husband. She makes him buy a Lottery Ticket every time for the desire of money.
Out of surprise one fine day he gets the prize worth Rs 10 Crore. But he promises to give 50% of that amount to Dharani (Shabana Khan) who is a waitress in a Hotel.
Why he promises that? How Dharani is linked to Venkata Ramana. Finally, how he manages to give that over riding his wild wife?
That has to be watched on silver screen.
Performances:
Venu is normal and portrayed an idealistic role something similar to that of ‘Sada Mee Sevalo’. Sangeetha is hot and beautiful in various designer wear saris. But still there is bigger scope to show her more appealing. Shabana Khan is average and it appears to be first and last film of her. She has to work a lot in performance aspects if she wants to continue in Tollywood.
Dialogues are average where the comedy track sounds appealing: Here are the worth mentioning scenes in this film those promise enough of entertainment.
1. Krishna Bhagawan’s style of dialogue delivery in all scenes
2. Sunil’s performance as advocate
3. Sunil’s dance for the song ‘Ziddi’
4. Ali-Brahmanandam’s comedy track
5. Court scene between Kota and Sunil
SV Krishna Reddy’s music is pleasing to senses for a couple of songs. But he made it chaotic for the song during Lottery Announcement.
Analysis:
First half of the film closes abruptly with no big twist at interval. Second half runs with comedy and court scenes. The comedy element in the film is just adequate and Ali-Brahmanandam’s track is completely separate from the main story.
It appears to be ‘Subhalagnam’ while looking at the spirit of the film. It’s a narration with money minded wife and a husband with idealistic views. Sangeetha plays negative role in it. The point to be mentioned is that there is no sentiment and tear jerking aspects in this film till the end. SV Krishna Reddy made the film run on lighter note through out. The film targets B and C centers and it is a perfect ‘No’ for the taste of youth and teenagers. In general, films show repentance of negative characters at the climax. But here there is no such repentance drama. Films show how foolish money minded lady gets into the trap of other cunning men. But here it’s other way round. On a whole, the film is a typical entertainer although made on beaten track to large extent.
The fate of this film depends on the patronage of family audiences of B,C centers.
Hindi Movie Review : Awarapan - Stay off the cinema hall
Human trafficking is a menace that most nations are today trying to do away with. Emraan Hashmi-starrer Awarapan is an attempt to portray this scourge. The serious bit of the review ends here.
Awarapan starts in an exotic night club of Hong Kong and goes on to a port where a delivery of people is to be offloaded. This is where Reema (Mrinalini Sharma) is introduced. When she realises the light of the day, off she runs to save herself.
A predictable camera chase later, she is recaptured only to blare "Give me my freedom. Leave me alone." That is the premise of the movie (in case you missed it).
Cut two, and we have Shivam (Emraan Hashmi ), Gangster Malik's (Ashutosh Rana) most trust-worthy man. Mesmerized by Reema, Malik asks Shivam to find if she has a man in her life. Loyalist Shivam keeps a watch on Reema.
Then follow song sequences that make you yearn for an urgent nip tuck� be it Mrinalini for her bad dancing skills and woody movements or Pritam whose excessive electronica makes you reach for your ear muffs.
A flashback here reveals Shivam's past. While escaping the clutches of the police, bandit Shivam bumps into Aliya (Shreya Saran). Looking as pretty as ever, she tries to coax him to buy a pigeon she is selling and release it, as a karmic cleanser. Unperturbed he continues his run, not before realising that he has fallen for her.
Their meetings continue, with Aliya making all attempts to induce some faith in Imran. Then bad luck has a lucky day and the couple is caught by Aliya's father, who tries to knock some sense into Aliya. Shivam professes his love for her and hands over the gun to her father. In the bid to shoot Shivam, her father shoots Aliya. Flashback's over.
Back to present, Shivam continues to keep a watch on Reema, and happens to stumble upon Bilal, her love interest. When this news reaches Malik, he orders the assignation of Reema. Another flash back and the loyalist Shivam seems to get jelly feet with the very thought of killing Reema. Yet he barges into their home and fires six bullets, which even at close range missed the couple. Divine interventions, he concludes.
What follows is predictable. An unhappy villain, a lot of dishum dishum and gunfire et al.
And so as to leave no stone unturned, the director eve assures that the villain's entire family is wiped off. In what seems to be a rather cheesy end, the viewer is reminded (finally!) of the premise of the movie -- "Give me my freedom. Leave me alone."
Mrinalini could sure do with some better facial expressions. As for Emraan, he desparately needs a better stylist and Shreya a new makeup man. Talent Ashutosh is wasted and so is Shreya.
On a radio show this week, a very confident Emraan had proclaimed that if anyone does not enjoy the movie, he shall pay them back the ticket money. Well, I have preserved my ticket and await a refund.
Did anyone mention human trafficking?
Hindi Movie Review : Apne - Watch it for knock-out Dharmendra
Magic has no expiry date. Nor does it ever lose its touch.
That is what makes Dharmendra so timeless. The seventy plus actor, known for his devastating good looks, emotional demeanour and remarkable body of work, reminds us why he is so special.
There is a lot of actor in him left untapped. And unlike his previously embarrassing outings (Kis Kis Ki Kismat and Hum Kaun Hain?) which failed to assert so, Anil Sharma's Apne allows him to demonstrate just that.
There's also this curiosity factor of seeing the three Deols -- Dharmendra, Sunny and Bobby share screen space for the first time. One appreciates the delicate bonding between the genuinely warm-hearted Jats.
In essence, Apne is not so much a boxer's fairy tale, as it is a family kerchief caper that salutes the 'can do' spirit. Here's how:
Having been banned from the world of boxing on false doping charges, former Olympics silver medallist Baldev Singh Chaudhry (Dharmendra) retires to a life of haunting humiliation and growing resentment.
His hopes of seeing elder son, Angad (Sunny Deol) restore his lost honour are squashed, after the latter refuses to play the 'worthless' game. Going by the fate he meets in the ring, you can't really blame him for thinking so. Instead, at the risk of evoking his boxing-obsessed father's wrath, he throws himself in revolutionizing agricultural farming.
His kid brother Karan (Bobby Deol ), partially handicapped post a childhood mishap, takes up music as a profession.
With neither son inclined to the sport to which he gave his all, Baldev becomes increasingly bitter. An ungrateful coaching experience (Aryan Vaid ) shatters Baldev completely.
His break-down triggers something in Karan and his until now paralysed arm is miraculously healed. He resolves to fulfil his father's lifetime wish of becoming an international boxing champion.
After rigorous training, our Punjabi stallion is fit enough to break every rib his gloves face (including Vaid's). Now the only thing standing between Karan and a champion's belt is Luca Gracia (played by a super stiff Chris Anderson -- an African American with an Italian handle, how inventive is that?)
The Rocky-inspired match has a rather tragic outcome, leaving Angad with very little choice. The move is as ridiculous as Sunny battling out an armed force of 100 in Gadar. Here he challenges to take on a title holder with just a month's preparation. So much that even Dharmendra can't resist quipping: 'Boxers retire at your age.'
This segment of Apne heavily relies on Sylvester Stallone's Oscar-winning classic for moves, mock threats, punches, jibes and spirit. Which means clumsily picturised fights, tacky make-up, inelegant cussing in English (F-word inclusive), a lackluster audience carrying posters that read incorrectly spelled words (Luca Destroy Him, anyone?)
Ideally for Sunny, Apne should have come out a decade earlier when he was at his prime's peak. Here his worn out appearance and diminished vigour lessen the impact of his earnest performance. Even so, his vulnerability spontaneously surfaces in sequences where his father attacks him with acerbic sarcasm.
Brother Bobby shines in his part. Not only is he looking incredibly fresh, but is suitably understated and genial. With barely any lines to speak, he conveys volumes with reverence, determination and awe in his body language.
Definitely, it's Dharmendra's show all the way. Whether it is flirting with his wife (Kiron Kher playing the Punjaban wifey yet again), indulging his grandson, fooling around with his best buddy (a charismatic Victor Banerjee), bucking up his sons to victory or breaking down with a sense of utter failure, he portrays an underachiever with heart, humour and strength of character.
Another good thing is, unlike all the other unconvincingly goody-goody characters in this enterprise, Dharmendra's Baldev is the most believable. His weaknesses are conspicuous. For one, he can't help endangering his sons' lives, in order to feel vindicated.
The ladies -- Shilpa Shetty and Katrina Kaif , provide ample eye candy and shoulder to cry on to their stumbling beaus. Both actresses have enough screen presence not to face any problems doing that.
As much as you enjoy cinematographer Kabir Lal's palette of colours flushed on screen, capturing the best of Chandigarh and New York City, the editing (by Ashfaque Makrani) is strictly below par. With its lengthy narrative and excessive melodrama, Apne tends to drag miserably in parts.
Himesh Reshammiya's weepy title track, popping every two minutes, does not help either. His score is one of the weakest links in the movie.
Ultimately, it is an Anil Sharma film. Going by his past record (Tehelka, Hukumat, Gadar: Ek Prem Katha, The Hero: Love Story of a Spy), the man has an amazing appetite for kitsch and absurdities. The movie bears his stamp alright.
But despite all its glaring oddities and palpable flaws, Apne has its heart in place.
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Hindi Movie Review : AKS - A Himesh showcase
There are many reasons to make a film but when the reasons are to explain why Himesh Reshammiya always wears a cap or why he never smiles, then God save us!
Two years ago, Himesh and his childhood friend Prashant Chadha decided to make a video of the smash hit single Aashiq Banaya Aapne, featuring the singer-composer. What followed was an unparalleled success story. Now, we have a film that tries to explain the cult of Himesh Reshammiya aka HR.
Aap Kaa Surroor: The Moviee: The Real Luv Story is about HR, a widely successful rockstar now on the German leg of his world tour. He is a simple God-fearing, non-smiling cap-wearing Indian, who imagines his dream woman in a salwar kameez even though she's walking up to him in a pink party dress! HR not only hears the Gayatri Mantra every time he comes face to face with Riyaa, he also hums a jazzed up version of it when he realises he's in love.
All about Aap Kaa Surroor
In between singing at every occasion and trying to save his izzat from his man-eater manager Ruby (Malika Sherawat), HR manages to get embroiled in the murder of a television reporter. The dead girl's father (Raj Babbar) is convinced that HR is the killer. So is HR's prospective father-in-law (Sachin Khedekar).
Now, it's up to HR to prove his innocence, otherwise Riaa would get married off to someone else.
The film offers nothing except a bad concoction of everything avoidable -- bad acting, clich�d dialogues, terrible one-liners and a cute terminally ill kid who smiles her way into our hearts.
The much-talked about Mehbooba song featuring Himesh with Mallika has no connection with the film's story.
The movie suffers on so many fronts that after some time, you lose the number of problems just like I lost count of the number of caps Himesh sports. He hams his way through the film as if he started acting in the 1980s but finally completed the film 20 years later. Even the songs offer nothing new.
The rest of the cast is passable. Hansika Motwani aka Riaa tries to look cute and manages to successfully employ the same done to death 'am so cute' nuances. But I could not understand why she was trying to copy Sushmita Sen !
Raj Babbar has four scenes, two of them featuring him in the same place, watching the same TV report and holding on to the same emotion.
The film seems disjointed and it's evident that the people behind it just wanted to cash on the Himesh wave. Why else would nicely photographed songs be separated by an inanity trying to masquerade as a script?
The only thing worth remembering in the film was Himesh's sidekick mentioning commenting: 'Agar naak cut gayee, toh gana kaise gayega?' Well, Himesh still has his khatarnak for that.
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